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It’s winter in France, the light is dull, the camera pans over a snowy wasteland and enters a massive construction of steel and glass that is open at the sides, stopping in front of the reproduction of a wooden ship. The structure that juts out over the upper deck is inscribed with the words ‘Liberté, Égalité, Fraternité’.
Med Hondo uses this tracking shot to establish the setting of his feature film West Indies ou les nègres marrons de la liberté (1979), while opening up a much larger space to the imagination at the same time. The ship turns out to be a most versatile stage for a grotesque narrative of colonialism, slavery and the struggle for independence in the French West Indies. Med Hondo explores his many themes in this limited space, whether it be the Middle Passage, marronage, abolition or the history of labour migration to France. The film marries an aesthetics of thrift with the flamboyance of a musical; different time periods glide into one other as elegantly as the geographical points of reference; and only occasionally do the actors’ visible exhalations, an alienation effect created by the cold, remind us that West Indies was not shot on Martinique.星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院恋恋情深恐龙时代：你不知道的故事我们的解救日记破奸锄贼未来罪行伴君如伴舞孽扣跳跃剪接烟雨的夏天木乃伊归来国语杀戮轮回莱拉秦淮悲歌二的梦魇自由发型天龙八部胡军版五路追杀令风暴舞神秘世界历险记马小乐之玩具也疯狂敦煌千年不散的宴席武当二十八奇套装功夫联盟榜上佳婿与时尚同居唐王开基尸体马尼拉：在霓虹灯的魔爪下我和谁
It’s winter in France, the light is dull, the camera pans over a snowy wasteland and enters a massive construction of steel and glass that is open at the sides, stopping in front of the reproduction of a wooden ship. The structure that juts out over the upper deck is inscribed with the words ‘Liberté, Égalité, Fraternité’.
Med Hondo uses this tracking shot to establish the setting of his feature film West Indies ou les nègres marrons de la liberté (1979), while opening up a much larger space to the imagination at the same time. The ship turns out to be a most versatile stage for a grotesque narrative of colonialism, slavery and the struggle for independence in the French West Indies. Med Hondo explores his many themes in this limited space, whether it be the Middle Passage, marronage, abolition or the history of labour migration to France. The film marries an aesthetics of thrift with the flamboyance of a musical; different time periods glide into one other as elegantly as the geographical points of reference; and only occasionally do the actors’ visible exhalations, an alienation effect created by the cold, remind us that West Indies was not shot on Martinique.星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院恋恋情深恐龙时代：你不知道的故事我们的解救日记破奸锄贼未来罪行伴君如伴舞孽扣跳跃剪接烟雨的夏天木乃伊归来国语杀戮轮回莱拉秦淮悲歌二的梦魇自由发型天龙八部胡军版五路追杀令风暴舞神秘世界历险记马小乐之玩具也疯狂敦煌千年不散的宴席武当二十八奇套装功夫联盟榜上佳婿与时尚同居唐王开基尸体马尼拉：在霓虹灯的魔爪下我和谁